Tuesday, December 30, 2014

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Leslie Feist has never been an artist most of my life in love. The woman's second album, The Reminder, who was also his breakthrough seemed to be every lempparilevyjä for a long time, but I never got it quite full inside. Inconceivably glamour living great songs album included, but I never got the whole idea. The third album Metals was therefore not odotuslistani at the tip, but as now the autumn seems to place already pretty damn wide plate mark, this one disc by surprise and still really positive. I'm really not a singer-songwriter genre's biggest fan, I do not even folk, but Feistilla is a wonderful ability to create captivating songs and hypnotic atmospheres. Metals, he manages to do this best. Metals remain as calm and melancholic songs throughout its duration. A few break with the disc, as previously published How Come You Never Go There and A Commotion, of which the first is a inhokkini disk. A Commotion is another really great song great rhythm, thanks. If the previous album, The Reminder time to time räiskähteli and painted savages the designer color palette glamour living that scale, so Metals remains somewhere in the gray and black, and really spattered. Now tarvotaan deep, but this is not depressing waters. glamour living The album opener The Bad In Each Other is already creating a disc mood perfectly, although it is clearly plate rooty and bluesy song. Such would be happy to listen to accentuate. That thing which Feist has separated the benefit of other genre is among the representatives of the songs, liveliness and versatility. The songs do not rely on one or two kikkaan, but the songs go in many different directions and keep the listener on their toes. Metals that especially emphasized when the instrumentation are between huge big. The atmosphere is not a sponsor of these little break, but keep the disc still intimate. I'm listening to Metals really intensively closer for a week, and I like it quite madly, and the album works as a whole, rather than individual songs here and there irroitellen, so still Feist does not cause the same säväreitä as such. Bon Iver. I do not know it is due to the cold plate and melankolisuudesta, but I would like to keep this yes a lot more. It is one of the final touch is lacking, which of course can not be revealed until a longer time to reach. Still, I can already say the album to be much better than The Reminder, which is now only modestly classic in certain circles. So you know what to seize tomorrow, when the disc is official publication! In anticipation of the disc can listen glamour living for a while here.
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